Looking back today, it seems that the Cube was simply ahead of its time. It was an ingenious and striking design that missed the mark by about five years—and $1,000. But don’t tell that to the loyal Cube owners out there, from whom you couldn’t pry their Cubes from their cold, dead hands. The G4 Cube’s enduring appeal from Mac fans is a testament to its unique and visionary design that has yet to be duplicated—even in the Mac mini—to this day.
Carson Entertainment Group, which owns the archive of the late-night host's 30 years on "The Tonight Show," is set to announce Wednesday that it has digitized all 3,300 hours of existing footage from the program and created a searchable online database for producers and researchers.
io9 links to the Paleo-Future site this week. The recent trend among old dudes and dudettes toward bitching about their denied promised future (flying cars, robots, you know – the stuff we don’t have) has left me cold given the fact that we live in the freakin’ future (at dinner last night I kept myself company with Wired Magazine and A State Within on this before paying for dinner with old-school plastic). Paleo–Future chronicles human endeavor’s big what-ifs in a terrific collection of ongoing articles and images. Most of them rocket me right back to a small neighborhood in Indiana when anything was possible.
If I was eleven years old (and most days I am) the slimmest thought of this being even close to a real thing would have made my Irwin Allen-loving head explode. The joy here is the exquisite “reality” the site employs. These ships are real! Full-size and built to fly. If only. Man. If only.
Pilot has a nifty web-based app that turns your handwritten text into a font. This has been done before but this implementation is kinda brilliant. [Via Lifehacker]
After the pilot for The Adventures of Brisco County, Jr. was ordered to series by Fox back in the mid-‘90s I found myself attached to the show as a co-producer. Exec producers Carlton Cuse and Jeffrey Boam asked me to come up with an episode pronto and I landed on Charles Babbage’s Difference Engine as the basis for story. Brisco was continually interested in what the future held so having him run up against a villain using a computer to accomplish his crimes made sense. The script was rejected and something else was tried... something I can’t recall. But Babbage, and Ada Lovelace remain fondly in my memory alongside Brisco’s adventure with their machine.
After watching The Jungle Book for the millionth time with my kids, there’s only so much entertainment left that can be squeezed out of Baloo and King Louie’s jive. So, not surprisingly, my eye has been drawn to the backgrounds meant to serve as stage settings to the foreground hijinks. More than once I’ve been struck by how gorgeous those backgrounds are. The backgrounds to Lady and the Tramp and 101 Dalmatians are spectacular.
Wouldn’t it be nice, I thought, if only one could get those backgrounds scrubbed of all those offending major and minor characters? Leave it to the web. More specifically, to Bob Richards. His site, Animation Backgrounds is something to see. Go see it.
Kottke says: A fascinating 10-minute animated talk by Philip Zimbardo about the different "time zones" or "time perspectives" that people can have and how the different zones affect people's world views.
Via Engadget: In February 2010, the man who built the technology of Minority Report twice -- once for the movie, and once in real life -- spoke at TED about the future of user interface design. Yesterday, TED posted John Underkoffler's entire fifteen-minute video presentation -- a copy of which you'll find right after the break. Get a curated glimpse into his company's tech in the following demo, and hear from the man himself when the gloves might come off.
Update: ars technica has a nice piece on the subject. I’ve been using Apple TVs since their introduction. Well, trying to use them, to be precise. At the moment I have three in use wirelessly linked to different Macs. Without warning the links lose themselves and that’s when the voodoo begins. I’ll spend hours resetting, restarting, resynching to get things working again without success. Then, for some sunspotted reason, things will align themselves and behave. In spite of the trouble, I’ve successfully ditched my satellite TV provider. We’re no longer paying for TV unless it’s something we specifically want via the iTunes Store. Now, it is rumored, that a major update is on the way. An update that might do away with local storage altogether and put all my video, audio and photos on the web. Or something. Whatever it is, it couldn’t be worse than than the current setup. Maybe. Hoping for the best.
For the first time in the long history of the dueling computer companies, Apple Inc.'s market capitalization passed that of rival Microsoft Corp. on Wednesday, making Apple the most valuable technology company in the world.
A number of major studios that include NBC and Time Warner are deliberately rejecting HTML5 video in favor of Flash, rumors maintained today. TV networks have allegedly told Apple they have no plans to switch as the cost and results wouldn't be worthwhile. None of the involved companies has confirmed or denied the remarks.
This is cool. In 1927 Paramount Studios mapped out local environs meant to double for distant locations. Who knew Venice, Italy was so close? [Via Coudal Partners]
Listening to Dan Benjamin’s excellent podcast today, The Conversation. If you’re even slightly geeky, it’s worth checking out. Dan and his guests were talking about ads on websites (I know, dry, right? But you’d be mistaken. Pretty raucous, actually) and these two sites got mentioned: Playgrounder - The Buyer’s Guide for Kids and Parents and Cool Tools.
I wasn’t on Cool Tools thirty seconds before I bought a popcorn popper. Go poke around.
Mashable’s article about CBS digging the iPad makes for good reading. Another aspect of the iPad that stands out for CBS is that the user base is already at one million. That’s important for a content company as large as CBS because while there are other interactive TV initiatives — like Roku, Boxee and others — those products haven’t achieved the reach that the iPad has.
I’ve been iPadding for a little over a week (using Macs since 1987) and can assuredly say that this little appliance has become a solid member of my family. The biggest hits so far -- Alice and Wonderland (here) and Marvel’s comic book reader app.
Terrific reminiscence on the failure of the past meets (too early?) the success of the present. “Today, of course, it’s an entirely different story: we’re all intimately familiar with the concept of the little computer in our pocket. We fell repeatedly for watered-down Palm handhelds which, in reality, we used rarely; we replaced them with iPhones, which we use too much. Now the same critics who shit-canned the Newton for the wrong reasons are shit-canning the iPad for the wrong reasons.
The iPad, though, unlike the Newton, is going to win, and win on an epic scale.”
The Ross Sisters. Ever heard of them? They bring an interesting definition to “twist and shout.” Be sure to watch past the harmonizing when things get... bendy.
It’s official. Consider this an equivalent moment: ditching the telegraph for the telephone, the landline for the cell, internal combustion for electric. We’re losing the keyboard slowly. Slowly losing the mouse. Slowly but inexorably moving into the realm of gesture and voice. And thought. What happens when we communicate with our ideas and our ideas talk back? Joy. Apple.
The President has some fun. Yeah, and linking him to an Apple product is just plain nuts, I know. But I’m high on some new, inventive, simple, helpful brilliant thinking. And Steve Jobs thinks pretty well, too.
I’m writing this on a MacBook. I’ll send it to the web in just a few minutes. An everyday miracle of science. Sometimes it takes a primitive expression of an arcane art to reveal the true beauty of the human mind and all its imaginings. You can quote me. Watching this Turing Machine in action, even its sounds (clicks and whirrs), affects me in a way I can’t describe. But somewhere within me my geek string has been plucked. Gears. A felt tip pen. And film stock. All in a well-timed ballet of promise. A promise of technology and what we could do, and now do, with numbers.
I’ve yet to do this thing the kids speak of, this Chatroulette (color me terrified) but Ben Folds, following the lead of “Merton” makes it feel all right. Via Mashable
I always assumed Charlie Chaplin’s Tramp character was launched fully formed into film history. Not so. CNN has a great feature on the creation of a classic character.
In 1994 Steve Jobs was the man banished from Apple and striving to make NeXT the next big thing. But something else lay in store. Rolling Stone’s Jeff Goodell walks us back 16 years to a simpler time. It’s a great interview.
When I was a kid I stumbled across Leonard Bernstein on tv explaining how and why music is music. I can safely say it changed my life. No, I don’t play an instrument or read or write music. What I was enlightened to by Bernstein was process. The creative process. A few years later, after becoming enamored with movie soundtracks, a good friend suggested that if I loved soundtracks so much I should consider going to the source: classical music. Specifically, Aaron Copland. Life changed again. BoingBoing has been posting a series called Adventures in Music that shouldn’t be missed. The above clip is one of them. Have a good Sunday.
In my humble opinion, there was no better writer of crime fiction than John D. MacDonald. If you’re a fan, you understand. If you like Stephen King or appreciate films like Mystic River (based on Dennis Lehane’s excellent novel) or revel in the dense plotting of The Wire’s good bad-guys and bad good-guys and haven’t yet discovered MacDonald then spend some time over at Steve Scott’s fantastic site, The Trap of Solid Gold. Let Mr. Scott, who seriously knows his stuff, fill you in: My name is Steve Scott and I've been a reader of the works of author John D MacDonald for over 35 years. In 1981 I had the privilege of assisting Walter and Jean Shine by doing research for a second edition of their definitive Bibliography of MacDonald's novels and short stories. John was an incredibly prolific author of primarily crime and mystery fiction and, between 1946 and 1986, published nearly 400 stories and over 65 novels. I hope to use this blog to share some of my knowledge, opinions, information and artwork from an old and dusty collection of JDM stuff.
Steve Jobs plans to bring new hope to old media with his tablet device. It will work well as a web-searching tool, but in addition it will almost certainly offer access to a wide array of text books, newspapers, and TV shows. According to The Wall Street Journal, Apple (AAPL) CEO Steve Jobs plans to "expand Apple's influence and revenue as a content middleman." The company is already a dominant force in digital music because of its iTunes business. The Journal reports Apple is in talks with major newspaper companies and textbook firms.
The movie Funny Bones relied heavily on Raymond Scott’s music to salt the comedy-drama with just the right amount of wacky. Listening to it, you might be surprised to find it spiced up your childhood as well. From classic Warner Bros. cartoons up to Ren, Stimpy, Spongebob, Pee-Wee and beyond. The roots are Scott’s. Fun and funny.
If you have kids, or even if you don’t, this article is worth a read. About three years ago, when our twins arrived, I wasn’t paying much attention to the artwork in the Little Golden Books what with feedings, diapers and lack of sleep crushing my very soul. But lately, now that they’re walking, talking, joking and hurling books at me with shouts of “Read this one,” I’ve come to appreciate the wonderful worlds depicted in my kids’ first published brush (pun intended) with art. The terrific site, The ASIFA Hollywood Animation Archive, is recent discovery (via BoingBoing) devoted to art and animation at its most whimsical and imaginative.
Sports Illustrated put together a demo of what their magazine might look like on a tablet. If you’re curious as to what Apple’s tablet might look and feel like, after watching this we can only hope.
It looks like everyone and their next door neighbor is super excited about whatever Apple will supposable reveal on January 27th. We’re no longer asking ourselves “Will Apple launch a tablet,” or “When will the tablet be available?” No, we’re completely certain Apple will reveal a 10” touchscreen pumped up iPhone/scaled down Mac in the upcoming weeks.
Those familiar with my love of Harper Goff’s Victorian design for Disney’s 20,000 Leagues Nautilus might assume I’m a huge Steampunk fan. Not so. I’m a fan, sure, having become enamored with the look through my work on Warehouse 13, but I’m not a rabid follower. Not yet. Prowling Steampunk on the net, this exhibit at London’s Museum of the History of Science popped up and peaked my interest.
“Lately I’ve become completely enamored with kinetic typography.”
That’s from Lynn La for an article she wrote at macworld.com. Kinetic typography is the art of putting words to movement. You’ve seen this in the opening credits of films like North by Northwest. Get moving.
I do a podcast with Marc Zicree. I found Dan Benjamin's original article to be a great help in getting started. He's updated his advice. If you're interested in the possibilities, check it out.
Apple recorded revenue of $9.87 billion and earnings of $1.67 billion, or $1.82 per share. That's up from the $7.9 billion in revenue and $1.26 per share of a year ago. And that easily fell within the range of what Wall Street was hoping for. Analysts had been expecting earnings per share somewhere between $1.24 and $1.72, and revenue between $8.74 billion and $10.55 billion.
It's going to happen. And with this, subscription-based "print" media will finally be justified. From Wired: Picture a free magazine app that offers one sample issue and the ability to purchase future issues afterward. Or a newspaper app that only displays text articles with pictures, but paying a fee within the app unlocks an entire new digital experience packed with music and video. This is an example of the “freemium” model that Wired magazine’s Chris Anderson explains in his book Free. It’s a model that some publishers, including Wired’s parent company Condé Nast, are already experimenting with on their websites. (Our sister publication Ars Technica, for example, offers its general content for free, as well as a “Premier” subscription option for readers to access exclusive content.)
Fanboy Alert: I was born without a sports gene but do have a substantial "win one for the, Gipper" mentality. And I mean the real Gipp, not Reagan. Comes from being raised within spitting distance of Notre Dame, I guess. Anyway, for years I suffered along with everyone else who knew in their techno-hearts that Apple was the best thing going. And for years it was going down the drain. Nice to see it in juggernaut mode.
The Cupertino, Calif.-based gizmo and computer company's earnings are expected to jump 14% Monday when it reports results for the quarter ended September.
I know. What goes up, must come down. But the company had been down for so long and so derided that this new lease on life (for Jobs, too) is sweet.
So, what will it take to hurt Apple? Who knows. Maybe if things start going right, for a change. Bad news--and outright weird news--has only made these guys stronger. The takeaway: If aliens invade, go long on Apple.
Growing up in Indiana in the early '70s the heady mix of my father's Playboy collection in his sock drawer and Hammer films at the State Theater provided plenty of, well, grist. Watching Chris Lee stalk a voluptuous lady Brit was thrilling and terrifying. Adolescent lust, indeed. Seems I wasn't alone.
Everyday I get closer to cutting the satellite mainline to my TV artery and going totally digital. The latest salvo was delivered by Netflix's Roku box. Streaming movies and TV shows via Roku beats Apple's AppleTV hands down. Worth checking out if you have a Netflix subscription (or even if you don't). Add in Amazon's video streaming offerings and it's harder to ignore. C/Net Review.
How cool is this? While reading John Gruber's excellent Daring Fireball I landed on his linked posting of a 1966 interview with Stanley Kubrick by Jeremy Bernstein. So, in true internet swipey-stealy fashion, I grabbed it for the podcast I do with Marc Zicree. For cool things Kubrick, check this out. When you're done there, go explore here. Great site. Great webness.
Warehouse 13 is on hiatus. What have I been doing on my summer vacation? Well, I dumped Facebook and Twitter from my life. That was an easy decision. I'd been spending way too much time gazing at navels. Sometimes mine. Mostly everybody else's.
Poking around the web here's a couple things that are holding my interest.
Derren Brown. Check out some of his television stunts here. Nice article here at about his astounding lottery number prediction.
Apple's Snow Leopard has been a nice distraction. Tracking its fun and foibles are John Gruber and Merlin Mann, two excellent writers in the Mac and tech trade.
Remember when TV used to promise to take you places you’d never been and show you wondrous things? The AMC Network is beginning to convince me that it remembers that promise. MAD MEN is part of that. Writer/director Michael Nankin is working on a series set in WWII about downed B-17 fliers trapped behind enemy lines. And the novel Carter Beats the Devil about the trials and adventures of an early 20th Century magician is slated for production. As the networks keep regurgitating the same old same old it’s heartening and inspiring to see AMC (and A&E) reaching up to embrace ambitious stories that can elevate and entertain.
My wife laughs at me for loving this. Ghost Hunters on the Sci Fi Channel. I have absolute, unabashed deep affection for two New England plumbers and their little band of cohorts who travel around the country searching for creepy stuff. Grant Wilson and Jason Hawes are the show’s two leads. They’re accessible, disarming and determined to debunk what they can. But mostly they’re a hoot. With SUVs loaded to the fenders with high-tech gear (and stalked by a run and gun video and sound crew) they roll into some town or city and crash for the night at the local spook spot. Bars, hotels, factories, or families’ homes are their playground. Sometimes they get nothing on tape. Sometimes they get... something. I’m not saying I believe in supernatural jump-up (at least not while my pragmatic psychotherapist wife is watching). But I do believe Grant and Jason have a blast chasing it down. Me too, watching them do it. Check out the clip below to see some of their “findings.”
Over at The Zicree Simkins Podcast Marc Zicree and I had a great conversation with TV writer/producer Lee Goldberg. Lee tells a great tale of going to Germany to help the TV industry over there get a grip on how to get and keep a growing audience. To get a glimpse of one of Germany’s more intriguing efforts check out the clip below. Ladies and Gents, ALARM FOR COBRA 11.
In 1999, feeling nostalgiac for one of the the films that inspired me, I started looking around for an off-the-shelf model kit of the Nautilus submarine from Walt Disney’s20,000 Leagues Under the Sea.
There wasn’t one. So, after searching the web relentlessly for anything coming close to a replica of the sub, I discovered a fellow named Jim Key. Jim’s website, Custom Replicas, spelled out services for the discriminating yuppie desperate to relive his youth. Jim is a former prop builder for movies and television. But after years of toiling in model shops he found his talents being pushed aside by computer generated effects. So he offered his skills to anyone wanting a, well, custom replica of whatever anyone might want. I wanted the Nautilus. Jim and fellow artisan Scott Brodeen, a Nautilus aficionado, went to work. Within the year I had a 5’6” Nautilus. Coolest toy I ever bought myself. A small cottage industry began and the sub has gone slightly mainstream. Interested? Check out the Nautilus Drydocks.
“When you walk through the garden you got to watch your back.”
If you’re a fan, you know. The Wire is the best show now not on television (unless it’s on your DVD player and right this moment it’s on mine). If you haven’t seen it – or maybe you tried it and gave up – there will come a time when you will become immersed. And you’ll become a zealot. You will gift seasons of The Wire to your family, your friends and to your mailman.
Welcome. Thanks for dropping in. In short order I’ll be adding to this site, shoveling in some observations, opinions and other items of limited interest. I know this place sounds like a law firm. Actually the site name, the name of my company, is a callback to my formative years. A neighborhood. A street. The place where, as a kid growing up in the midwest, I spent hours watching television and loving it. This was the tv of the 1960s and 70s. The years of Quinn Martin and Irwin Allen. Of Jim West and Alexander Mundy. Of Partridges and Bunkers and Fugitives and Cronkite getting me to the moon and back. If you’ve got an interest how TV works or a question about the biz you need answered drop me a quick note.