Toys as Narrative

The job this season means writing teleplays for three main characters tasked with managing a giant warehouse filled with artifacts (collected from around the world) that can ruin your day. All three are Secret Service agents; two guys and a girl cracking wise, running, jumping and saving the world by heading out into one adventure after another for WAREHOUSE 13. Look for it this June on the Sci Fi Channel. I’m one of two executive producers working with a staff of talented writers who spend their days dreaming up jack-in-the-box surprises for the characters and you.
But right now it’s Christmas week. With presents under the tree for my kids, I’ve been thinking about the potential for fun and surprises hidden in wrapped boxes piled up in one location. And this got me on an imagination nostalgia trip. I’m thinking about the toys that got me into storytelling.
I grew up in the 1960s and was still, as my dad said, “playing with dolls” into the early 1970s. The space race was a full-time fascination. And the toy makers that embraced that fascination were rewarded with a legion of boys (and a few girls, I’m sure) who hammered their parents for anything rocket related. My toy of choice (while my older brother was scorching his fingers with Estes rockets) was Major Matt Mason. A doll, yes. But so much more . Bendable, posable (if you had one you know that sinking feeling when one of Matt’s internal wires snapped resulting in an arm or leg akimbo) and willing to undertake any mission you threw him. “He lives on the moon. We may all be there soon.”
In the “Create Your Own Horror” department (resulting in either a rubbery monster or a burned down house) Mattel gave kids a hot-as-hell hot plate that cooked up bugs, skeletons or, if you had the proper molds, Superman or Tarzan. This was a close to a chemistry set I ever received. There was endless fascination for me when a negative mold (a carved out representation of a creature in a small block of steel) was filled with liquid plastic (how cool is that?) and produced, under extreme heat, a positive result: a Creepy Crawler. The making of my own toys, the transformation of raw materials into something tangible, something that didn’t exist a few moments before, was my first unwitting step into a career made of cobbling disparate thoughts together to make something (hopefully) greater than the sum of its parts.

But the toy that meant more to me than anything was a little guy that engaged in outright fakery to accomplish his goal. While I was pretending with him, he was pretending right along with me. We were in a symbiotic relationship of play. Of course I’m speaking of Captain Action. Made by Ideal, this action figure (not “doll,” Dad; yeah, I got issues) took the superhero/secret identity concept and shoved it through the Looking Glass. The Captain was able to wear the uniforms of Superman, Batman, the Green Hornet, Spiderman, you name it. But under the mask was a thin-faced, fretful-eyebrowed, insecure looking fellow. Sort of like me at 10 years old. He was, in a sense, my first writing partner. Together we created situations and scenarios based on prior material. In a way that’s almost impossible to describe I feel like everyday I go to work I’m pulling out my toybox and rummaging through the gear inside. Invariably, Captain Action steps forward. What mask shall he wear today? How about... a Secret Service agent... continually getting into scrapes?
Travis McGee

– Leonard Cassuto
I was in college. Unhappy. Finals were approaching and I hadn’t studied. So, embracing the failure that I knew was coming, I looked for further diversion. I found “salvage consultant” Travis McGee. Created by author John D. MacDonald, McGee was the kick in the ass I needed. MacDonald, through McGee, became a mentor and a handy moral compass for me. To this day, when faced with a ticklish ethical situation, it always helps to ask, “What would Travis do?” That is, after he slugs it out with some baddy, beds a beautiful but fragile client, and suffers through his own clay-footed crisis of faith only to rise, doubtful of his own abilities, and right a gruesome wrong. If you don’t know Travis, start at the beginning. Forgive the quaintness of the 1960s morals and stick with him. Watch him grow. You will too. And, by the way, the books do kick ass.
Watching the detective.
Wiki McGee.
Jekyll
JEKYLL is a BBC production starring James Nesbitt and written by Steven Moffat. Smart, witty and scary, JEKYLL follows the present-day complications encountered by a family man who’s discovered a personal and terrifying genetic anomaly. In an ultimately futile attempt to keep his wife and twin boys safe from his murderous alter-ego, Tom Jackman (Nesbitt) has moved out of his house and taken up residence in a fortress-like apartment complete with a massive, leather-strapped chair. Thankfully for us, the straps are useless. Not so much for anyone else who crosses paths with Jackman’s bad self.
There’s sex and violence, corporate intrigue and love and hope. And Nesbitt. He’s fantastic.
Weasels

Until this Halloween. The guys had a live show that night. And it was a staged, manufactured mess of bush league amateur hour horseshit. Okay, I know there’s no such thing as ghosts. I get it. And, yes, GHOST HUNTERS is on the Sci Fi(ction) Channel so truth is subject to interpretation (or avoidance). But, what the frig? Couldn’t they have done a better job of faking the goods? A Kiwanis Club magician has better skills.
Grant Wilson and Jason Hawes are, of course, entertainers. And while those Roto-Rooter staged preambles in earlier episodes were a cute but obvious attempt at promoting the Regular Joe of it all they were still appealing in their clunky-cheesy fakery. But when the vans rolled and the folks wanting answers were met I (stupidly, I know, I know) assumed things were more on the up and up than not. I’m an idiot.
Because of a fan backlash (hit YouTube and search for “Ghost Hunters fake fraud”) the bloom is off. Apparently the pressure of continuing to grow their ratings has led to things like the situation you’ll find documented in the video below:
How about that cheesy Marcel Marceau mime move Grant pulls. Isn’t that just the coolest little slip in shit you’ve ever seen? It makes every prior incident of unexplained spookiness just a run of the mill jerk off. Oh, well. It was fun while it lasted.
There's Bound To Be Bargains
If You Won't Listen to Me...

And he’s got passions. Lots of them. But one of the things he’s most passionate about is the HBO series The Wire. That DVD set you keep meaning to watch. If you could only find the time.
I know. I know. You’re sick of people talking that damn show. And it’s off the air now anyway so who cares? Merlin does. And I dare you to read his piece about the show and not come away at least a little intrigued.
Seriously. Seriously. Find the time.
The War of the Worlds
Porn in the Afternoon

“...we acted very fast to get it off.” – Nancy Cottenden, Director of Communications for Rogers Cable.
The Object of My Affliction

Disaster Coverage
Another Sci Fi and More Channel

My Guilty Ghostly Pleasure

Check out the clip below to see some of their “findings.”
Fender Benders
The Object of My Affection
The Wire - Season 5
If you’re a fan, you know. The Wire is the best show now not on television (unless it’s on your DVD player and right this moment it’s on mine). If you haven’t seen it – or maybe you tried it and gave up – there will come a time when you will become immersed. And you’ll become a zealot. You will gift seasons of The Wire to your family, your friends and to your mailman.
Simkins sez hey.
Best,
David Simkins








